May is gone, and I’m late with this post due to a family thing yesterday and my computer refusing to work after it was over. So let’s not draw this out – here be the books!
Mary Robinette Kowal: Without A Summer
Up-and-coming fantasist Mary Robinette Kowal enchanted fans with award-winning short stories and beloved novels featuring Regency pair Jane and David Vincent. In Without A Summer, the master glamourists return home, but in a world where magic is real, nothing – not even the domestic sphere – is quite what it seems.
Jane and Vincent go to Long Parkmeade to spend time with Jane’s family, but quickly turn restless. The year is unseasonably cold. No one wants to be outside, and Mr. Ellsworth is concerned by the harvest, since a bad one may imperil Melody’s dowry. And Melody has concerns of her own, given the inadequate selection of eligible bachelors. When Jane and Vincent receive a commission from a prominent family in London, they decide to take it, and take Melody with them. They hope the change of scenery will do her good and her marriage prospects – and mood – will be brighter in London.
Once there, talk is of nothing but the crop failures caused by the cold and the increased unemployment of the coldmongers, which have provoked riots in several cities to the north. With each passing day, it’s more difficult to avoid getting embroiled in the intrigue, none of which really helps Melody’s chances for romance. It’s not long before Jane and Vincent realize that in addition to getting Melody to the church on time, they must take on one small task: solving a crisis of international proportions.
(Back cover of the Tor paperback)
Some of you may remember that Shades of Milk and Honey was my WOW book of last year. I loved it, and I loved Glamour in Glass – and Without A Summer continues that line. I think it better than it’s predecessor, vastly intriguing and oh so pleasant to read! Kowal’s period detail is wonderful and reading her you may trust you are in good hands. I very warmly recommend this series! It is magic mixed with history and, although light in style, takes on many important issues of the family circle and doesn’t shy even from the most difficult of topics. Janeites will also recognise the copious parallels to Emma!
This is one of my favourite series, and this book is excellent. I’m very much looking forward to getting my hands on the next instalment, Valour and Vanity!
Den Patrick: The Boy with the Porcelain Blade
Lucien di Fontein has grown up an outsider; one of the Orfano, the deformed of the Kingdom of Landfall. He is lonely, tormented by his difference and a pawn in a political game. The reclusive king and his majordomo rule Landfall from the vast castle of Demesne, but the walls are no barrier to darkness from without. Or within.
Landfall is a harsh world of secrets and rivalries, where whispers are as lethal as blades, where control is fragile and the peace waits to be broken. Lucien will have to rely on more than just his blade to protect the ones he loves.
Den Patrick’s richly imagined high fantasy introduces a memorable new hero. His is a story that will delight those who love Locke Lamora and Titus Groan alike.
(Back cover of Gollancz trade paperback 2014)
Yes, even I sometimes manage to read something the same year it comes out. What did you expect? Locke Lamora has been mentioned, political intrigue promised, and a fantastic title presented.
As a whole, I find this book rather average. Well, perhaps a little above average. There are some things that bothered me, but also a lot to admire. I shall break this review into bullet points, because I feel that is the clearest way to explain both my qualms and approvals.
- Despite being numerous, fight scenes do not get boring; very alive, very well described
- The worldbuilding works well, although it took me a while to catch on. This is likely more me than the book, as I tend to skip scenery.
- When the dialogue is witty, it really is witty! And it’s good in general.
- Some unnecessary repetition of details; they get underlined but aren’t all that significant.
- I’m not too happy with the female characters. This gets a bit better towards the end, but the inaction and the very traditional roles they’re cast in grates.
- Lucien spends a lot of time sleeping or unconscious; surely there are other wise of transitioning from one scene to another?
- So. Many. Fires.
In general, I think it’s a nice, enjoyable book. I also think that Patrick has a lot of potential, which he will reach through more experience; this reads very much like a first novel. I will also mention that this edition could have used another round of proofreading, as there was a lot of punctuation missing and a few typos. The latter didn’t bother me as much as the former.
I will definitely read the next one as well, because I think there’s something here. It just needs some improvement to really snare me.
Scott Lynch: The Republic of Thieves
I will leave out the blurb and, indeed, a review. This was my third reading and it was conducted mostly to take notes and to see if there was anything I missed earlier.
M. C. Beaton: The Taming of Annabelle
From the moment the honey-tressed young Annabelle meets her sister Minerva’s intended, Lord Sylvester, she develops a secret passion for him that obsesses her. Now she is determined to take him away from Minerva – no matter what.
But Annabelle hadn’t reckoned on Lord Sylvester’s best friend, Peter, who falls in love with her and decides to tame her growing passions for the wrong man.
(Back cover of Constable & Robinson paperback)
This is the second book in The Six Sisters series. I hadn’t read Beaton before, but decided to get it from the library when it happened to sit there on the shelf.
Thing is, I’m too old for this book. This would work wonders for a teen reader; it’s quite fun and introduces the Regency period very well, with several rather entertaining explanatory paragraphs here and there. The plot is a bit childish, but so is the main character, and at times Annabelle annoyed me to no end. Peter hardly behaves any less childishly despite being 35 (I think) and that does not quite sit with me.
This book, and I assume the others in the series, could work well as easy introductions to Regency romance. The Taming of Annabelle is fun, but for older readers it may be too shallow. I would say a 13–15-year-old would be more in the target readership, and I would not hesitate to recommend this to someone of that age with an interest in romance.
Elizabeth Bear: Shoggoths in Bloom
Shoggoths in Bloom: A compilation of short science fiction and fantasy from Elizabeth Bear – tales of myth and mythic resonance, fantasies both subtle and epic in tone; hard science fiction and speculations about an unknowable universe. This collection, showcasing Bear’s unique imagination and singular voice, includes her Hugo- and Theodore Sturgeon Memorial Award-winning story “Tideline” and Hugo-winning novelette “Shoggoth in Bloom”, as well as an original, never-published story. Recipient of the John W. Campbell Award for Best New Writer, a World Fantasy, Nebula, and Philip K. Dick nominee, Bear is one of speculative fiction’s most acclaimed, respected, and prolific authors.
(Back cover of the Prime paperback)
Now, understand that I’m very bad at reading collections of short stories. Very bad. I manage one a year, if I try hard, and it can be slow going without a plot to pull me.
I didn’t have my usual troubles with Shoggoths.
Bear is amazingly versatile in her writing, and I promise you a swoon over how much research has gone into every single story in this collection. I am both enamoured and awed. If you read short story collection this year, read this one.
I cried at the end of the first one. Several made me uncomfortable, in the way good SF should. Two hit me really hard in my current situation in life, and I draw strength from them. And oh, I think I’ve found my favourite short story. Well, a new one for the small list of the ones I love: “The Cold Blacksmith” took me and chewed at my heart and now, days later, I’m still not over it.
Pages: 329 (20 short stories)
Julia Quinn: Just Like Heaven
Honoria Smythe-Smith, the youngest daughter of the eldest son of the Earl of Winstead, plays the violin in the annual musicale performed by the Smythe-Smith quartet. She’s well aware that they are dreadful but she’s the sort who figures that nothing good will come of being mortified, so she puts on a good show and laughs about it.
Marcus Holroyd is the best friend of Honoria’s brother Daniel, who lives in exile. Marcus has promised to watch out for Honoria, but he faces a challenge when she sets off for Cambridge determined to marry by the end of the season. She’s got her eye on the only unmarried Bridgerton, who’s a bit wet behind the ears. When her advances are spurned, can Marcus swoop in and steal her heart in time for the musicale?
(Back cover of Piatkus 2011 paperback)
I don’t find the blurb terribly accurate. Just wanted to say that. I also want to say that my primary motive for reading this book is the rather hilarious dedication – “And also for Paul, even though when I went to him for medical advice to save my ailing hero, he replied, ‘He has to die.’”
I’m not particularly fond of this sort of “We have known each other since we were children and I am starting to realise I actually love you” romance. Not that I don’t occasionally enjoy it, but at least at this instance I was not in the mood for it. I also found this book rather flat and it failed to raise any particular feelings. It served its purpose of something light and quick to read, but apart from that, hardly memorable.
Mary Balogh: The Proposal
Lady Gwendoline Muir has experienced her fair share of tragedies in her short life: she lost her husband to a freak accident, and developed a limp after falling from horseback. Still young, Gwen is sure that she’s done with love, and that she will never be married again.
Gwen tries to be content with her life as it is, and to live through the marriages of her brother and her cousin and best friend, Viscountess Ravensburg. She’s happy for them, and for years that is enough for her… until she meets Lord Trentham – a man who returned from the Peninsular War a hero, but is unable to escape the bite of his survivor’s guilt. For he might just be the man who can convince her to believe in second chances.
(Back cover of Piatkus 2012 paperback)
Now we’re talking. I have been eager to start the Survivors’ Club series, of which this one is the first. Balogh writes very believable and mature characters and does it with such certainty that it is hard not to fall in with them – and indeed, why would you even want to avoid that? Some of you know of my penchant for wounded heroes, and that is exactly what this book, along with the rest of the series, provides. Trentham is particularly interesting for his utter bluntness; I don’t think I’ve read a Regency romance where sex is so explicitly discussed (never crudely, though – Balogh is never crude).
The charm of this book is mainly in the characters. When it comes to plot, it’s rather straightforward and un-dramatic, which I feel speaks of Balogh’s skill as a writer: the lack of drama does not diminish the experience or slow the reading, quite the opposite. There was a little too much retelling of moments from another point of view, but I hope that is only a lapse in this book and won’t occur in the rest of the series, the next of which I have waiting.
Fyodor Dostoyevsky: The Idiot
Returning to Russia from a sanitarium in Switzerland, the Christ-like epileptic Prince Myshkin finds himself enmeshed in a tangle of love, torn between two women—the notorious kept woman Nastasya and the pure Aglaia—both involved, in turn, with the corrupt, money-hungry Ganya. In the end, Myshkin’s honesty, goodness, and integrity are shown to be unequal to the moral emptiness of those around him.
Not too fond of this one. It is obvious that Dostoyevsky was in need of money while writing this, and the serialisation is so obvious it was at times painfully dull going – there is a confession latter that lasts for three chapters (some 40 pages) and it largely unrelated to the plot. However, some of the characters – particularly Nastasja Filippovna and Rogozin (I’m using the Finnish version of the names) – were very interesting, and the last few chapters are excellent in their dramatic flair, although I wouldn’t say they are worth reading the whole thing. However, I’m glad I’ve read it and can now move the next Dostoyevsky to my more immediate list.
Translation: Olli Kuukasjärvi
Alexander Pushkin: Eugene Onegin
Eugene Onegin is the master work of the poet whom Russians regard as the fountainhead of their literature. Set in imperial Russia during the 1820s, Pushkin’s novel in verse follows the emotions and destiny of three men – Onegin the bored fop, Lensky the minor elegiast, and a stylized Pushkin himself – and the fates and affections of three women – Tatyana the provincial beauty, her sister Olga, and Pushkin’s mercurial Muse. Engaging, full of suspense, and varied in tone, it also portrays a large cast of other characters and offers the reader many literary, philosophical, and autobiographical digressions, often in a highly satirical vein. Eugene Onegin was Pushkin’s own favourite work, and it shows him attempting to transform himself from romantic poet into realistic novelist.
Now this was very much my thing! I started reading a bit sceptically, although I’ve long wanted to read this, and my, it was an absolute pleasure! Pushkin is much more fun than I’d expected, I wasn’t bored by his nature descriptions at all, he is very intertextual, and there is some damn good drama, although some of the motivations elude me. Nonetheless, very very good!
Translation: Lauri Kemiläinen 1935
Andrei Belyi: Peterburg
That’s it for May!