The end of the month snuck up on me! I thought it was Friday and not Thursday! Oh well…
February turned out to be a very bad slump month. I started a couple of books but ended up abandoning them, lazed around online, and wrote stuff for school. I took a course on Medieval and Early Modern Ireland, a fun class but a lot of reading included, which also ate at my pleasure reading. I doubt I’ll do any better during March and April, but by the summer I intend to pick up some speed!
Georgette Heyer: Pistols for Two
Affairs of honour, affairs of the heart, and all the gallantry, villainy and elegance of the age that Georgette Heyer has made her own are exquisitely revived in these eleven short stories of the Regency.
This one is a collection of Heyer’s short stories, all of them Regency – and I can’t even begin to tell you how much I enjoyed every single one! They are written in the typical Heyer style, but I found them even better executed than her novels: there is a twist in each story, and I kept guessing what it was only a couple of lines before it was revealed. Very thrilling, I tell you, to feel like you are a step ahead of the story! Mind you, if you are not into romance you might not enjoy them to the same extent I did, but they’re worth it for the technical skill and beautiful prose.
Pages: 205 (Arrow Books edition; 13 short stories)
Anne Brontë: The Tenant of Wildfell Hall
Gilbert Markham is deeply intrigued by Helen Graham, a beautiful and secretive young widow who has moved into nearby Wildfell Hall with her young son. He is quick to offer Helen his friendship, but when her reclusive behavior becomes the subject of local gossip and speculation, Gilbert begins to wonder whether his trust in her has been misplaced. It is only when she allows Gilbert to read her diary that the truth is revealed and the shocking details of her past.
I was positively surprised. I knew absolutely nothing about this book, and actually picked it up solely because I have a mini series adaptation of it starring Toby Stephens, Tara Fitzgerald, and Rupert Graves. But turns out I really enjoyed the book. I was a little surprised that it begins with a male perspective, as it’s not something you would expect from a Brontë (I may sound like I know what I’m talking about, but actually Jane Eyre is the only Brontë sister novel I’ve read before this, so don’t be fooled), but the female voice comes to play before halfway. Some of the diction shocked my 19th century sensibilities, which was actually rather refreshing, although I’m not completely convinced I liked it. Not the author’s fault, obviously.
It could happen I’ll return to this book sometime in the future. It’s the kind of story that I think will change when you grow older.
Pages: 378 (Penguin Popular Classics 1994 edition)
Toby Barlow: Sharp Teeth
Yup, I reread this again! And guess what! This time I finally pieced together the back story and people’s motivations! And it feels fantastic!
You can read more about Sharp Teeth in its favourites post!
Published: Harper Collins 2008
John Mullan: What Matters in Jane Austen?
Which important Austen characters never speak? Is there any sex in Austen? What do the characters call one another, and why? What are the right and wrong ways to propose marriage? In What Matters in Jane Austen?, John Mullan shows that we can best appreciate Austen’s brilliance by looking at the intriguing quirks and intricacies of her fiction. Asking and answering some very specific questions about what goes on in her novels, he reveals the inner workings of their greatness.
In twenty short chapters, each of which explores a question prompted by Austens novels, Mullan illuminates the themes that matter most in her beloved fiction. Readers will discover when Austen’s characters had their meals and what shops they went to; how vicars got good livings; and how wealth was inherited. What Matters in Jane Austen? illuminates the rituals and conventions of her fictional world in order to reveal her technical virtuosity and daring as a novelist. It uses telling passages from Austen’s letters and details from her own life to explain episodes in her novels: readers will find out, for example, what novels she read, how much money she had to live on, and what she saw at the theater.
Written with flair and based on a lifetime’s study, What Matters in Jane Austen? will allow readers to appreciate Jane Austen’s work in greater depth than ever before.
Mullan’s book caught my eye at the bookstore. As an Austen-fan, I’m always ready to learn more about her books, and boy, does Mullan bring out things one rarely thinks of while reading! The subtitle of the book, Twenty critical puzzles solved, tells you a lot: there are twenty topics discussed, among them the right way of proposing, money, and, perhaps my favourite, the importance of weather.
If you’re not a fan of Austen or unfamiliar with her works, I wouldn’t recommend this. Mullan goes to deep detail and doesn’t bother to explain the plots – which as it should be, since it frankly baffles me why anyone who hasn’t read Austen would even want to read this book. The chapters are short, 15–20 pages, so it makes wonderful regular night reading! I’m now eager again to read Austen’s novels again, just to see how much I have taken away from Mullan’s work: the details of people blushing, frequency of exclamation marks in the free indirect bits, and so on!
Pages: 320 (Bloomsbury 2013 edition)
John Mullan: What Matters in Jane Austen? (no picture this month since it’s just one book)
David Mitchell: Back Story (not that David Mitchell, I’m talking about the comedic actor!)
I’m off to Amsterdam on Saturday, as the reading week has begun, and I will report about it when I get back! So meanwhile, keep reading!